What's in it for me?So much!Associate Teachers receive ongoing mentorship from Kate.
Associate Teachers are invited to join the closed VoiceArt Singing Teachers Facebook page to connect with Kate and others on the same path as you. This page shares all sorts, including the vocal findings of the participants, research information and job vacancies.
Book in for a lesson to discuss your students and how you can help them. Bring video footage if you like.
Attend Performance Skills Class (PSC) as an observer. PSC will enable you to clearly see a variety of singers in the workshop setting.
Book your students into PSC to demonstrate your teaching, or watch them in workshop with Kate. |
Book into Question Time which follows all PSC classes, to discuss what you’ve observed in PSC and bring any other teaching matters to the table.
RECEIVE FEEDBACK ON YOUR COURSEWORK AND SUBMISSION
Connect in person or online with other Associate Teacher trainees and share your experiences.
Successful VoiceArt Associate Teachers will be listed on the VoiceArt website as approved teachers, so singers seeking a teacher have a reliable source when choosing a new teacher.
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Summary of studentA summary of the student. Age, years singing, time spent studying with you, outline of strengths and areas needing help, specific aims (performance, exam, eisteddfod etc) and general aspirations.
Your Student's ProgramList of all songs being studied at the time of the Case Study period and reasons for programming them for your student.
(Maximum of three songs - 500 words). Include the sheet music of the song(s) studied in the supporting video footage.
You can use a table format for ALL of the above. |
Video evidenceYouTube link footage of you teaching your Case Study, using the exercises and teaching techniques outlined in your documentation. (Maximum of 20-25 minutes)
Hint: Do your footage first and then write your exposé about this lesson. |
Transcribed Sheet MusicTranscribed sheet music of exercises you have devised to help the singer with specific problems addressed in your footage.
ConclusionA final summary of the singer’s experience and yours in the teaching of the singer.
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